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| 2009/2010 EXHIBITIONS: |
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"Exercicis de Desaparicio II (Exercises of Disappearance II), 2010 painting on cardboard, plexiglass, wood, 67 3/8 x 87 inches PRESS |
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Jordi Alcaraz: Traslúcido represents the first comprehensive view in America of Alcaraz’s profoundly poetic art. The exhibition brings together large and small scale works which transcend the categories of paintings, sculptures, and drawings as they blend all media, employing assemblage-like manner and installation. Conceptually, Alcaraz extends notions of perspective beyond the realms of the physically-seen. The surfaces of paintings and drawings can be pierced or peeled back in a manner that forces the viewer to consider more deeply the properties of the physical and ephemeral.
Utilizing various tools and materials much like an alchemist, Alcaraz creates realms as ambiguous as those of his Catalonian antecedents, such as found in the minimal spaces of Miro or in the surreal other-worldly landscapes of Dali. Where his elder contemporary Antoni Tapies created astounding walls and doors - marked and eroded - evidencing both the surreal and the real, Alcaraz extends those notions, going beyond surface. Even boundaries created by frames enclosing his paintings and drawings are altered in unexpected ways, as in the assemblage entitled “Catching a Drawing in Mid-Air,” which calls into question the distinction between interior and exterior. Alcaraz opens new realms in a Zen-like manner through the use of bending, tearing and puncturing materials in unpredictable ways. In another work, “El Temps” an antique carved wood figure gently extends her hand through its vitrine, melting away one dimension into another. Alcaraz’s aesthetic, verging on the minimal, brings the consideration of beauty and meditation to uniquely profound levels in conceptual art today. Jordi Alcaraz: Traslúcido announces Jack Rutberg Fine Arts’ representation of Jordi Alcaraz and the release of a comprehensive book on the artist entitled "Jordi Alcaraz dibuixos," with texts by the leading Spanish art critic, Mariano Navarro, and the renowned American critic, curator and scholar, Peter Selz. This profusely illustrated book, co-published by Jack Rutberg Fine Arts, is presented with texts translated in English, Italian, German and Spanish. Born in 1963 in Calella, near Barcelona, the trajectory of Alcaraz’s recognition has been particularly impressive in recent years. His works have been the subject of numerous solo and group exhibitions in Belgium, Germany, Italy, Canada, Switzerland, and Spain in galleries and museums, and have been featured in international art fairs throughout the U.S. and Europe. |
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| REUBEN NAKIAN SCULPTURE & WORKS ON PAPER January 16 - March 20, 2010 Opening Reception: Saturday, January 16, 5-8pm ![]() Reuben Nakian, "Europa and the Bull", 1975, bronze, 8 x 13 1/2 x 6". JRFA #9901 |
Los Angeles, CA Among America’s most pioneering, and yet, enigmatic sculptors of the 20th Century is Reuben Nakian, whose works will be the subject of an exhibition at Jack Rutberg Fine Arts, located at 357 N. La Brea Avenue in Los Angeles. The exhibition opens January 16, with a reception from 5:00 till 8:00 p.m. and extends through March 20. “Reuben Nakian Sculpture and Works on Paper,” will feature nearly 50 works including 30 sculptures plus select original prints and drawings. The exhibition spans works ranging from his provocative 1943 portrait of Marcel Duchamp - when Nakian took a decidedly independent stylistic shift - to Nakian’s iconic sculptures and drawings inspired by Greek mythology. |
| Reuben Nakian was born in 1897 in College Point, New York, (the fifth child of Armenian immigrants). From 1916 to 1919, he apprenticed to the noted sculptor, Paul Manship in New York, along with Gaston Lachaise. Nakian and Lachaise established their own studio from 1920 to 1922. In 1922, with a stipend from Gertrude Vanderbilt Whitney, Nakian established his own studio. Nakian’s early works of the 1920s and 30s were mainly of exotic animals sculpted in a sensually smooth manner typical of the era. In the 1920s and 30s, Nakian received considerable recognition with numerous exhibitions in New York, including the Whitney Museum, the Museum of Modern Art, the Downtown Gallery and Wildenstein Gallery, as well as the Art Institute of Chicago, and the Corcoran in Washington D.C. In 1926 he met Brancusi and assisted him in installing his first one-man exhibition in the U.S. In the mid 1930s, Nakian met the painter Arshile Gorky (and through him Willem de Kooning), who encouraged him to seek greater expression through abstraction. Nakian - already inspired by Picasso, and some of the European avant gardes, as was Gorky - sought to further his own expressive possibilities and pursued a course of modeling the figure with unprecedented freedom, atypical in American sculpture. Indeed, Nakian’s unique style in sculpture anticipated artists such as Willem de Kooning’s work by more than two decades. Nakian’s immersion in Greek mythology captured his interest and served as the primary inspiration of his subject matter for the duration of his career, through the mid 1980s. |
![]() Reuben Nakian, "Salome", 1948, bronze, 8 3/4 x 5 1/2 x 3 3/4". JRFA #9883 |
In mythology, Nakian found a universe of reflection and metaphor. Epic themes of struggle and sensuality are depicted in monumental form. Nakian’s expressive modeling, whether in large or intimate scale, expresses power and yet retains a tenderness and even good-natured joy; a balance nearly unfathomable for sculpture so raw and abstract in style. In this exhibition works, such as “Salome” and “Europa and the Bull,” dating from the mid 1940s, belie their small scale of less than 9 inches in height, as they evoke a monumental presence with remarkable nuance. |
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MODERN & CONTEMPORARY
PAINTINGS DRAWINGS PRINTS & SCULPTURE A REVOLVING EXHIBITION June 20 - December 24, 2009 See Portfolio |
| Los Angeles, CA Jack Rutberg Fine Arts opens “Modern & Contemporary Works: A Revolving Exhibition” featuring more than 60 paintings, drawings, prints, and sculpture by an impressive range of artists. The exhibition will continue to evolve with fresh installations. Highlights of Works on View: · Spanish Contemporary artist Jordi Alcaraz, an emerging force, following his recent museum exhibition in Barcelona and celebrated exhibitions in Madrid, Cologne and Berlin, is shown with several of his poetic constructions. · Patrick Graham, Ireland’s leading contemporary painter, currently featured in the major museum exhibition, “The Quick and the Dead,” at the Hugh Lane in Dublin, Ireland through September, 27, 2009 is represented here with several works including a monumental painting. Also included in our exhibition are drawings by Timothy Hawkesworth - one of the four artists featured “The Quick and the Dead.” · Llyn Foulkes is represented through a uniquely surreal painting and assemblage. Foulkes was recently featured in a memorable installation of his works at the Hammer Museum’s exhibition, “Nine Lives: Visionary Artists from L.A.” · Ruth Weisberg’s formidable painting, “The Blessing,” is shown following its inclusion as the seminal work of her recent solo exhibition, “Ruth Weisberg: Guido Cagnacci and The Resonant Image” at the Norton Simon Museum. · Following his critically acclaimed exhibition of “Paintings of the 1960s,” Hans Burkhardt is represented with several compelling works from the 1930s, 40s and 50s. · Jerome Witkin, who continues to elicit wide recognition as one of the most extraordinary contemporary narrative painters, is included with his trademarked psychologically charged works. · Francisco Zuñiga, Mexico’s most important 20th century sculptor, is represented by drawings and works in bronze. We take this opportunity to invite institutions, collectors, and dealers to submit works for the forthcoming publication of Volume V of the Zuñiga Catalogue Raisonné. · Sam Francis is represented by a large-scale painting, an exceedingly rare early gouache of the 1950s and other unique works on paper, as well as original color and black and white lithographs. The exhibition also includes works by:
“Modern & Contemporary Works: A Revolving Exhibition” exhibiting June 20 - September 26, 2010. Jack Rutberg Fine Arts is located at 357 North La Brea Avenue in Los Angeles. Gallery hours are Tuesday through Friday from 10:00 a.m. to 6:00 p.m., and Saturdays from 10:00 a.m. to 5:00 p.m. For further information phone: 323 938-5222 or email jrutberg@jackrutbergfinearts.com |
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