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Featured Exhibitions:
 Hans Burkhardt
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2008/2009 EXHIBITIONS:

February 7 - May 30, 2009

RUTH WEISBERG
SELECTED WORKS



Los Angeles, CA - Celebrated L.A. contemporary artist Ruth Weisberg is the subject of a new exhibition, "Ruth Weisberg - Selected Works,” at Jack Rutberg Fine Arts, located at 357 North La Brea Avenue in Los Angeles. The exhibition extends through April 18, 2009.

Ruth Weisberg has garnered an extraordinary roster of honors and prizes. She is currently the subject of a solo exhibition at the Norton Simon Museum; the museum’s first-ever solo exhibition of a contemporary painter extends through March 2. A similar distinction was afforded Weisberg by the Huntington Library and Art Collections in San Marino in 1999-2000, which invited the artist to create a body of work inspired by a work on paper in its collection. Weisberg’s response to William Blake's engravings for Dante's Inferno represented the first solo exhibition by a contemporary painter at the Huntington.  

On February 27, as part of the College Art Association Conference (the nation’s largest and most distinguished collective of art historians, artists and educators) held this year in Los Angeles, Weisberg will one of two artists featured in the annual “Distinguished Artist Series.” (The other artist selected this year is Robert Irwin) In conjunction with the CAA conference, the Women’s Caucus for Art will award Weisberg this year’s Lifetime Achievement award on Feb. 28.

The Rutberg Gallery exhibition "Ruth Weisberg - Selected Works" features paintings and works on paper spanning several decades that reveal Weisberg's unique vision through which the viewer sees the convergence of art history, personal memory, and cultural experience. This impression of multi-layered moments in time is often enhanced to striking effect by Weisberg's innovative use of fresco-like qualities in her paintings and works on paper.  In her large-scale painting, Time and Time Again, for example, Weisberg has re-imagined Titian's masterpiece, Amor Sacro e Profano; the landscape is the stage for two tango partners passionately engaged in their dance and each other - a mysterious collision of old and new worlds.  Other works explore universal themes of childhood, maternity, spirituality, and personal memory as evocatively filtered through the lens of time.

Ruth Weisberg is Dean of University of Southern California's Roski School of Fine Arts, and is a former Fulbright scholar, past President of the College Art Association and honorary Doctor of Humane Letters, Hebrew Union College. In addition to her many distinctions and achievements, Weisberg’s works have been the subject of more than 70 solo and 160 group exhibitions. Her work is in the permanent collections of more than sixty major museums and universities internationally, including the Whitney and Metropolitan Museums in New York, the National Gallery, the Art Institute of Chicago, the Los Angles County Museum of Art, Instituto Nationale per La Grafica, Italy, and the Biblioteque Nationale of France.

“Ruth Weisberg - Selected Works” & “Hans Burkhardt: Paintings of the 1960s, Part II” opens February 7 and extends through May 30 at Jack Rutberg Fine Arts located at 357 N. La Brea Avenue, Los Angeles, California, 90036. Gallery hours are Tuesday through Friday 10 a.m. to 6 p.m., and Saturday 10 a.m. to 5 p.m.  For further information phone (323) 938-5222.


Image Captions:
(top) Ruth Weisberg, "The Living Waters," 1996, Oil and Acrylic on Paper, 40 x 52 inches.




September 20, 2008 – January 17, 2009

HANS BURKHARDT
PAINTINGS OF THE 1960s

Publication

See Portfolio

Los Angeles, CA - A major exhibition, “Hans Burkhardt - Paintings of the 1960s” will be featured at Jack Rutberg Fine Arts.  This survey exhibition, accompanied by a publication with 76 illustrations, will open with a reception, Saturday, September 20 from 6:00 to 9:00 pm. The exhibition extends through December 24, 2008.


"Wandering Souls"

The exhibition will include paintings - some of monumental scale - spanning the entire decade of the1960s, a critical period in the evolution of American art; particularly in Los Angeles, where Burkhardt resided since his arrival from N.Y. in 1937. Works in the exhibition, and its accompanying illustrated catalogue reveal the full range of Burkhardt’s paintings, reflecting both the excitement of a decade marked by the hopeful social revolution that was the 1960s, and works of unprecedented potency in their protest of the Viet Nam War.

While the 1960s today represents a period of extensive popular focus, Burkhardt’s role takes on special importance since the reality of the history of the ‘60s - particularly in L.A. - is often obscured in a mythology informed  by the emergence of the pop art and minimalist tendencies.

Hans Burkhardt’s abstract expressionist works were well known to the artists of the ‘60s. He served as an example of constancy and artistic independence, as he was perhaps the most widely exhibited L.A. artist of that period and the decade that led up to it.  In the 1950s, for example, Burkhardt was the subject of no less than 23 solo exhibitions and his works were also included in more than 30 museum exhibitions including a 10-Year Retrospective at the Pasadena Art Museum (now Norton Simon Museum).  In the 1960s he continued to exhibit in astoundingly large numbers of major exhibitions including a 30-year Retrospective organized by the Santa Barbara Museum that traveled to San Francisco’s Palace of the Legion of Honor and the Los Angeles Municipal Art Gallery, a 40-Year Retrospective at the San Diego Art Association, and an important exhibition at the San Diego Museum of Art (then the Fine Arts Gallery) of his provocative paintings responding to the Viet Nam War. While Burkhardt was some 30 years older than many of the artists of the now mythologized Ferus Gallery, he was nevertheless an important inspiration to many of them, in spite of not being part of their ‘circle.’

“Hans Burkhardt - Paintings of the 1960s” includes early works of that decade which extended his uniquely poignant abstract expressionist paintings of the 1950s. He was one of the few painters of that period who steadfastly flaunted, and indeed thrived in spite of, the political censorship  and hostility toward modern abstract painting that informed much of the 1950s, reaching levels of hysteria in the McCarthy era in L.A.  That political hostility may partly suggest why the younger generation of L.A. artists of the 1960s might have been inclined toward popular imagery and minimal art as their primary sensibility.  Their artistic response was in stark contrast to this era of youthful social revolution that informed every aspect of the times; particularly in terms of political revolt against the escalation of the Viet Nam War.  Burkhardt, in contrast, extended abstract expressionism into astounding and revolutionary realms, reaching apotheosis in paintings that scholars have cited as masterpieces of 20th century painting; among them Burkhardt’s skull painting, “My Lai,” which will be included in this important exhibition.

Hans Burkhardt was born in Basel, Switzerland in 1904.  He immigrated to New York in 1924, where he shared Arshile Gorky’s studio for the better part of the years 1927-37.  When he moved to Los Angeles in 1937, Burkhardt represented the most significant bridge between New York and Los Angeles, in that his paintings of the 1930s are part of the genesis of American Abstract Expres­sionism.  In 1992, two years before his death, Burkhardt was honored for his lifetime achievement by the American Academy and Institute of Arts and Letters.

Burkhardt’s works are included in major museums internationally. He is currently a significant component of the major exhibition at the British Museum entitled “The American Scene: Prints from Hopper to Pollock.”  Concurrent with the Rutberg gallery exhibition and publication, “Hans Burkhardt - Paintings of the 1960s,” California State University, Northridge (CSUN) is presenting an ambitious exhibition of Burkhardt works from its formidable permanent Burkhardt collection from August 25 through October 11.  The CSUN exhibition is accompanied by a profusely illustrated 160-page book with essays by Betty Brown, Margarita Nieto, Jack Rutberg and Peter Selz.

“Hans Burkhardt - Paintings of the 1960s”opens with a reception from 6:00 until 9:00 p.m.  Saturday, September 20. Jack Rutberg Fine Arts Gallery is located at 357 North La Brea Avenue in Los Angeles.  Gallery hours are 10:00 am - 6:00 p.m. Tuesday through Friday, and 10:00 am - 5:00 p.m. on Saturday.   For further information please call (323) 938-5222.  A publication with 88 pages and 76 illustrations with a forward, text, biographical overview, and chronology accompanies this important exhibition.




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